\n
Title<\/strong>: Pornomelancol\u00eda<\/em>
\nDirection<\/strong>: Manuel Abramovich
\nCast<\/strong>: Lalo Santos
\nProduction<\/strong>: Gema Films, Desvia, Dublin Films
\nDistribution<\/strong>: Filmin
\nGenre<\/strong>: Docufiction
\nDuration<\/strong>: 98\u2019
\nCountry<\/strong>: Argentina
\nYear<\/strong>: 2022
\nO.V.<\/strong> in Spanish<\/p>\nFestivals<\/strong>: Amsterdam (documentaries), Belgrade, Bogot\u00e1, Bordeaux (independent cinema), Buenos Aires (LGTBI), Geneva (independent cinema), Guadalajara, Los Cabos, Lyon (LGTBI), Madrid (LGTBI), Reykjavik, Rio de Janeiro, San Sebasti\u00e1n, S\u00e3o Paulo (LGTBI), Taipei, Thessaloniki, Tournai (Belgium, social cinema), Vienna (human rights), Zurich<\/p>\nFirst showing in Barcelona<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div>
<\/div>
Lalo is a sex-influencer: he posts photos of his naked body and homemade porn videos for his thousands of followers on social networks. Lalo directs his own life, but in private, out of character, he seems to live in permanent melancholy. Where does desire itself go when life turns into a sex show? Pornomelancol\u00eda<\/i> takes pornography as a starting point to reflect on the relationship between sexuality and work, on being public and feeling alone, on the characters that we build to show ourselves (or hide) from the world.<\/p>\n<\/div>