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Title: Un rubio (The Blonde One)<\/em><\/strong>
\nDirection<\/strong>: Marco Berger
\nCast<\/strong>: Gast\u00f3n Re, Alfonso Bar\u00f3n, Malena Irusta, Ailin Salas, Charly Velasco
\nProduction<\/strong>: Universidad del Cine
\nDistribution<\/strong>: Wild Star Sales
\nGenre<\/strong>: Romance, Drama
\nDuration<\/strong>: 108\u2019
\nCountry<\/strong>: Argentina
\nYear<\/strong>: 2019<\/p>\nFestivals<\/strong>: Barcelona (FIRE!!, LGBT), Brussels (Pink Screen, LGBT), Buenos Aires (Asterisco, LGBT), Chicago (Reeling, LGBT), Copenhagen (MIX, LGBT), Istanbul, Guadalajara, Kiev (Molodist), Havana, Melbourne (LGBT), Miami (Outshine, LGBT), Paris (Ch\u00e9ries, ch\u00e9ris, LGBT), San Sebasti\u00e1n, Sydney (Mardi Gras, LGBT), Taiwan (LGBT)<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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In the suburbs of Buenos Aires, womanising Juan must quickly find a flatmate after his brother moves out. In moves Gabriel (the blonde of the title), Juan\u2019s stoic and very handsome co-worker, who is recently widowed and struggling to support his young daughter. Shy and reserved, Gabo is reluctant to follow Juan’s wandering hands and meaningful looks. With a revolving door of beauties streaming out of Juan’s bedroom, his machismo seems firmly in place. However, the attraction between the two men is undeniable. What starts out as a sexual relationship based on convenience of location, soon develops into the engrossing evolution of a tender and intimate relationship, which is as sweet as it is heartbreaking.<\/p>\n
Director Marco Berger (Plan B; Hawaii; Taekwondo<\/em>) has made a career out of observing the unspoken erotic nature of men\u2019s social interactions. With his latest, he explores new territory, delivering one of his most directly passionate, assured and heartfelt films: a sexy, slow burn drama that firmly celebrates the gay male gaze.<\/p>\n<\/div>